Catherine Harrison is inspired by history, decay, cycles, nature, meaning and symbolism and these themes are referenced in her work.
There is a clear interest in alchemy and how a variety of metals can be changed and manipulated through various corrosive chemicals and forces.
Her work also expresses fascination with found objects already corroded by nature’s elements. Through experimenting, constructing and transforming these materials, Catherine brings a new perspective and life to these objects.
The Torment Of Metal series was developed through my interest in alchemy and how various colours, textures and effects can be achieved through heat and chemical baths. Another interest is the classic elements and their associations with alchemy. The elements are everywhere. In the natural environment, they go unnoticed, unthought of. Through my work earth, air, fire and water are highlighted to remind us of their presence and constant effect on everything around us. Changing metal, that would be normally used for domestic and industrial purposes, into a state of decay and corrosion allows a dramatic and visual transformation to occur.
The drawings show my obsession with the components of alchemy; how metals are made and what is blind to the naked eye. These drawing have been influenced by studying various metals under a microscope and observing the lines and shapes which then translate into these abstract forms.
My work also explores old, discarded metal objects that are themselves traces of what has already lived and is now in a state of decay. Whether the metal objects are found, new, old or used, they already come with associated meanings. I want to transform their meaning through various processes and present them differently thus reinforcing their themes or alternative purposes.
Group Exhibitions
2012 ‘Social Morphologies’ 5th March - 30th March, The Lloyd Gill Gallery, Weston-Super-Mare, UK
2011 ‘TAR ART’ The Open Gallery, Liverpool
2011 ‘TAR ART’ Contemporary Urban Centre, Liverpool
